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The Role of Radio Charts and The Songwriter

On October 26th the Singing News Magazine dropped dozens of charting stations from their charting list. They have reduced their charting stations to 75 in an effort to more accurately present a relevant industry chart in their publication.

Whether you believe this to be a positive move or a negative one, the result for all songwriters is the same. We have to tighten our belts, and write better songs. There a are less than half the charting stations that there used to be. That means for your song to do well on radio, it almost has to be recorded by an established major label artist. And it must receive major airplay at these particular 75 stations.

This will greatly reduce the amount of non label artists charting a new song. And unfortunately for new writers, non label artists may be the only one's cutting your songs at this time.
But that doesn't mean you can't still carve out a place for yourself in the industry. It does mean that is going to be much more difficult to get your songs charted. Some of these 75 stations may very well chart an independent artist singing an unknown songwriter's tune. But it is not likely that many of them will chart it very high. And with fewer stations charting, the chances of that kind of a song charting on enough stations to make a top 40 list, are very slim.

The Singing News has formed the new Singing News Chart Advisory Committee. Two members of the Singing News staff, 9 record promoters and label presidents make up this committee. There is also one artist on the committee. The Singing News stated in a letter to radio stations that this new committee is building a new list of charting stations from scratch. The Advisory Committee has chosen to apportion the new charting stations by state, based on the number of concerts in the state, and the number of Singing News subscribers in the state.

These new charting stations will remain secret, as they have been in the past. If they ever let the word get out as to who these charting stations are, then every independent artist, songwriter, and record label would know just who to target with promotional items and phone calls. The last time I checked, there were about 600 stations currently programming Southern Gospel music. Now the entire industry is represented by these 75 elite stations.

I know that there are other respectable charts in the Southern Gospel industry who still use a much larger base of charting stations, but let's face it, the Singing News chart is the one that the record labels, talent agencies, and concert promoters watch. You can have a top ten song on three other national charts, but if you have not charted in the top 10 in the Singing News, then it is generally not even recognized as a legitimate hit.

Nothing has changed for the charting system in terms of airplay. The charting stations may be playing your song the same number of times that they play their #20 song, or even their #1 song. But if they do not write your song's name on the top twenty chart that they turn in to the Singing News, then the song has earned zero charting points.

The good news is that BMI and ASCAP still pay performance royalties according to the number of times the song was played, and not charting position. SESAC royalty distribution does follow radio charts, unlike BMI and ASCAP.

Now the question arises as to which plays a greater role in generating sales. Is it charting position, or airplay? That debate could go on and on for a long time between industry professionals, and still not come up with an absolute answer. In my opinion, charting position does help generate bookings for an artist. And since the majority of sales in the Southern Gospel industry is done across the product table at an artist's concerts, then it stands to reason that the higher charting groups will sell more product.

Unfortunately for the Southern Gospel songwriter, most professional label artists do not pay royalties on their table sales. They expect the record company to do that. The record company expects the artist to do it, since they have purchased their product at wholesale prices. Most artist's attitude is that the record company pays royalties on retail sales and internet downloads, therefore the royalties have been paid. But my educated guess is that Southern Gospel songwriters are receiving royalties on less than 40% of what is sold at concerts.
I learned about this problem in our industry over 15 years ago from the vice president of a major record label. And still, it has not been addressed in the industry. Perhaps that is because there is no Songwriters Union, and never will be. It is illegal for songwriters to form a union. It was made illegal in the early 20th century when songwriters received Copyright protection under the law. Most songwriters are just thrilled to finally get their songs recorded. Most writers I know are just thankful for whatever does come in financially.

As a professional writer, I know that I am going to have to step up to the plate and write better songs than I ever have. The stakes are much higher now. The available charting stations are much fewer, and there is a much smaller chance of landing a hit than there used to be.

Until next time, keep on writing!

Daryl Williams
http://www.darylwilliamstrio.net

About This Article - The Role of Radio Charts and The Songwriter

Daryl Williams's avatar Author: Daryl Williams | Author's Website: http://darylwilliamstrio.net
Written: 11/01/2007 | Category: The Songwriter Comments: 9
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Reader Comments

  1.    MWCBaritone ~ 11/05/2007

    Dear Daryl,

    If this keeps up we will all be writing Praise and Worship. Just giving you a hard time. Be blessed!

    Sincerely,
    Steven Cheney

  2.    .(JavaScript must be enabled to view this email address) ~ 11/05/2007

    Very good article Daryl. You've laid out the situation quite well.
    There is one other challenge that writers face as well. With the increase of numerous gospel stations adding country artists to their playlist, with so-called "faith-based" songs, writers will have less and less room for actual "gospel" songs.

  3.    .(JavaScript must be enabled to view this email address) ~ 11/06/2007

    after about 8 years of faithful ,and on time charting,my station was dropped from the list of charting stations
    i recieved no letter from the singing news ,just a call from a promoter friend who said my name was on the drop list ,i would not have ever dreamed this woould happen to us since we are a major sg music staion and play an average of 140 songs per day ,
    usually when i fill out my bmi log during survey period,i will almost run out of the sheetes they send us

    i alos have been very proud of the variety of music we have played ,unlike many staions i play about a third currents and the remining third ,classics,bluegrass gospel,and a few local groups from time to time
    i feel a great reflection of what our listeners want to hear !~
    but the problem i see in sg today is the same thing ,that we have seen in country music over the last few decades
    there are two ways to right a song,one with strong lyrics adde to music,or two
    a cathcy tune with words added to the tune to fit in ,with the tune as a primary thing,
    myself i feel i love a song based on the lyrics much more ,country music used to be that way but somehow ,country executives decided they neededto sound and look pop in order to sell records
    southern gosple executives in the last few years have tried to make artist look and sound like contemeopary music thinking it will sell more records,but the truth is people listen to our music becuse they love our music for the lyrics,the message ,and not the hype
    thats what i always charted my songs based upon becuse those were the songs that got requested ,and played
    if i had been invited to serve on the
    advisory comittee my statement would be:
    lets not try to find ways to take away from radio,lets find ways to help our small independandt staions survive
    when our stations our sold to corporations who only look at the dollar sighsn there is danger of our stations with the gospel message to be converted into stations which promote satans agenda!
    I HOPE THE POWERS THAT BE WOULD COEM UP WITH A SAVE GOSPLE RADIO COMITEE!
    INSTEAD OF ''THE LETS PUSH AWAY MORE STAIONS OUT OF THE LOOP,SO FEWER ARTISTS
    AND STATIONS WILL HAVE A CHANCE TO CONTINUE COMITTEE ''
    lets keep our eyes on serving god ,and helping one another along this gosple road ,and lets remeber its the message that matters !

  4.    .(JavaScript must be enabled to view this email address) ~ 11/08/2007

    Very well written and most informative. After reading this article I get a better grasp on what is happening in the sogo industry. It is unfortunate that many may fall by the wayside, that a smaller group may stand and represent a multitude. Progress or regress? I, for one, will await the results. GOD bless.

  5.    edsmith ~ 11/09/2007

    Excellent article, Daryl! You have put in perspective this thing that continues to elude many in the SG industry. SG charts must be fair, and bolster the good health of artists, record companies, promoters, and those of us who play the music---radio. My biggest objection to the changes that were made has been stated on another thread on this same forum---I object that radio was not represented on the committee. If a truly fair chart that benefits everyone is to be created, it should be done so with adequate representation so as to present itself to the industry as being fair and equitable to and for all. I love and appreciate the committee members---and have confidence in them, but they alone had a job to do that is much bigger than they are alone. Ken Kirksey told me that the committee is adding radio representation and meeting again after the first of the new year. I hope and pray they address this again.
    Thanks again Daryl for a great article.

  6.    .(JavaScript must be enabled to view this email address) ~ 11/15/2007

    Is Gospel music about money or is it about God? for 37 yr I have sang paid my own gas ,my own lodgeing and eats, and no haven't reaceived a dime from writting a song or singing a song, but yes they have been on charts top 50, but guess what , I am laying up treasures on the other side. But it sure would help to be able to send out more music and songs for Christ sake.

  7.    Steve Allen ~ 11/29/2007

    Great article. We'll soon know if the new arrangement for charting station is a postive move. At this moment, I don't have a strong opinion. However, I do feel that a change is due. You made this clear too when you said that songwriters are going to have to write better songs. It doesn't stop with the songwriters. Every artist, producer, enginer, musician, and anyone else in the chain is going to have produce better quality product.

    Keep writing great songs. You're one of the best in my opinion!

  8.    .(JavaScript must be enabled to view this email address) ~ 11/29/2007

    Daryl as usual you are right. Nice article it says alot. As a budding songwriter I would like to say that I agree it is time for change but what I would also like to see is more people writing better songs. Venture to new depths when getting the motivation for a song. and as a little Birdy once told me dont allow yourself to stray from the topic at hand finish the thought and see what happens... thanks Mr. Daryl your words of wisdom and the rest of your teaching ring in my ears still loud and clear! see I was listening!!

  9.    Promotional Products ~ 09/15/2008

    This is simply GREAT! Tour articles are more than awesome... Must admit that you are one of the best bloggers I ever saw.I simply love reading cool stuff like this! Thanks for posting this informatve article with us.



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